The frontier is closing, but the imagination of the west remains. Decades since the genocide of a local tribe, there is one final 'wild-man'. Benjamin wishes to rid the land of the indigenous peoples, tasking Henry with extermination.

Michel, was born in Latin America, "on the other side of the world", as the script emphasizes, of a French father he hardly knew at all. He goes to Paris to start a new life. His only possession is a painting which his father left him, along with the advice: "If you ever need to sell the painting, do so in France, where it's worth a fortune." But Michel discovers that his father's tumultuous and secret past comes along with the valuable painting. Meanwhile, Clara, a middle age Spanish-Argentine mother gets a strange present from a now dying childhood friend in Buenos Aires. It's a roll of Super 8 film which brings back very strong, and emotionally charged memories from the 1970s and before.

Luke Malloy is freaking out. He doesn't want tomorrow to come because tomorrow means starting Middle School...saying goodbye to summer break and hello to homework. And even worse, hello to getting picked on by Meat, the terrible torturer of new kids. Luke's dread of tomorrow is casting a shadow on his enjoyment of his last day of summer, so he makes a wish that the Last Day of Summer would last forever... that his one last perfect day of fun and freedom would never end. But when his wish comes true, he discovers that he's stuck repeating the day over and over again, which, as Luke quickly learns, isn't any better. What do you do when the "ultimate do-over" isn't all it's cracked up to be?

Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.

Laida Lertxundi continues her exploration of the American West with the intimately scaled 025 Sunset Red, which folds in autobiography as she looks back to her parents’ radical activism in Spain.

Laida Lertxundi continues her exploration of the American West with the intimately scaled 025 Sunset Red, which folds in autobiography as she looks back to her parents’ radical activism in Spain.

Six friends rent a cabin in the middle of the woods on the last weekend of summer and set out to have an amazing time full of partying and drinking. Little do they know that they will be sharing this cabin with an unexpected guest, will they make it out alive?

Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.

One summer, a French teenager who has been living with his mother in the city moves in with his estranged father’s family in the countryside, where he clashes with his stepmother.

Nathan Lee, an AAPI teenager, finds out that he has brain cancer right before he turns 18 and vows to live the remains of his life with passion… And refuses to die a virgin. Knowing that his gay best friend, Dash, wants to become a filmmaker, Nathan offers himself as a documentary subject to Dash, who is also in love with Nathan. Nathan and Dash decide to document as much of his remaining life as possible.